The Aleppo School of Icon Painting
How four generations of the al-Musawwir family in Aleppo created a distinct Arab Orthodox and Melkite icon style in the 17th and 18th centuries.
The Church of Antioch is one of the oldest in Christendom: it was in Antioch, according to the Book of Acts, that the disciples were first called Christians. Its Orthodox faithful, the Rum Orthodox of Syria, Lebanon and the wider Levant, have prayed before icons for as long as there have been icons, and the theology that defends them was shaped in their lands. St John of Damascus, a son of a Christian family in Umayyad Damascus who became a monk at Mar Saba near Jerusalem, wrote the classic defence of holy images in the eighth century. This collection follows the icon in the Antiochian world: ancient shrines such as the monastery of Our Lady of Saydnaya, medieval treasures like the double-sided icon of Kaftoun in north Lebanon, and the Arabic-speaking painters of Aleppo, Damascus and Jerusalem who, from the seventeenth century, created a distinct Arab Orthodox and Melkite school with long Arabic inscriptions and local saints. It also follows the Church of Antioch to North America, where St Raphael of Brooklyn shepherded Arabic-speaking Orthodox immigrants and the Antiochian Orthodox Christian Archdiocese of North America grew from his work.
How four generations of the al-Musawwir family in Aleppo created a distinct Arab Orthodox and Melkite icon style in the 17th and 18th centuries.
How St John of Damascus, a monk of Mar Saba, wrote the classic Orthodox defence of holy images during the first wave of Byzantine Iconoclasm.
The Patriarchal Monastery of Our Lady of Saydnaya near Damascus, its founding tradition and the Shaghoura icon attributed to St Luke.
The Orthodox monastery of Our Lady of Kaftoun in north Lebanon and its medieval double-sided icon of the Virgin and Child and the Baptism of Christ.
St Raphael Hawaweeny, first Orthodox bishop consecrated in North America and founder of St Nicholas Cathedral, Brooklyn.
Painters of Damascus, Jerusalem and Lebanon who carried Arab Orthodox and Melkite icon painting into the 18th and 19th centuries, including Michael the Cretan.